Katharine McPhee- Somewhere Over the Rainbow
The classic song starts out with a great rubato setting the tone for the whole song. It sets up with a monophonic texture also up until about 30 seconds in. Then it switches into a soothing homophonic texture. The tempo for the song hold pretty steady in a slow moving beat, but the variations in the disjunct melodic contour gives it that exciting awe inspiring feel that gives you goosebumps.
Friday, April 27, 2012
Bittersweet Symphony | w. 4 p. 1
Bittersweet Symphony- The Verve
The song if pretty simply a homophony type of texture with Richard Ashcroft's voice being the main melody and the strings and beats being the accompaniment. There are some slight dissonant notes slid in there but mostly it very constant. The really interesting part is at the end at about 5 minutes when I think it his a Polyphonic texture with overlapping of voices and melodies along with the backing of the violins and drums. As for the melodic contouring it's a pretty conjunct song with a bit of disjunct through into some parts in the motives.
The song if pretty simply a homophony type of texture with Richard Ashcroft's voice being the main melody and the strings and beats being the accompaniment. There are some slight dissonant notes slid in there but mostly it very constant. The really interesting part is at the end at about 5 minutes when I think it his a Polyphonic texture with overlapping of voices and melodies along with the backing of the violins and drums. As for the melodic contouring it's a pretty conjunct song with a bit of disjunct through into some parts in the motives.
Sunday, April 22, 2012
TTYLXOX | w. 3 p. 2
Bella Thorne- TTYLXOX
The song has a somewhat moderate tempo with a quadruple beat. The second beat has a small accent along with the fourth which scoops into the first beat. As for the melody it's very conjunct and close to even monotone with little variation between the notes. The phrasing is very predictable with solid cadences but even with it the song is very catchy with a tunefulness that's easy to follow.
The song has a somewhat moderate tempo with a quadruple beat. The second beat has a small accent along with the fourth which scoops into the first beat. As for the melody it's very conjunct and close to even monotone with little variation between the notes. The phrasing is very predictable with solid cadences but even with it the song is very catchy with a tunefulness that's easy to follow.
Hallelujah | w. 3 p. 1
Justin Robinett and Michael Henry-Hallelujah
This is one of my favorite songs no matter who it is performed by but this is probably my favorite because of the last few measures in the end. It's a song with a slow tempo with a quadruple beat that has a accent on the second beat I believe. As for the pitch and melody it's has two main pitches and what appears to be a soft dynamic in the beginning. Though as the song builds it turns into this power house with disjunct melodies that just build until turning back into the soft slow ballad.
This is one of my favorite songs no matter who it is performed by but this is probably my favorite because of the last few measures in the end. It's a song with a slow tempo with a quadruple beat that has a accent on the second beat I believe. As for the pitch and melody it's has two main pitches and what appears to be a soft dynamic in the beginning. Though as the song builds it turns into this power house with disjunct melodies that just build until turning back into the soft slow ballad.
Music Listened to in Week 3 (Melody & Pitch)
Tupac Feat. Nikki Giovanni- The Rose that Grew From Concrete
Sweet Honey in the Rock- Emergency
Beethoven-Ode to Joy
Whitney Huston-Star Spangled Banner
Riddle Song
Scott Joplin- Easy Winners
Beethoven's 5th
Richard Wagner- Flight of the Valkyries
Star War's Theme
Imperial March/Darth Vader's Theme
Sweet Honey in the Rock- Emergency
Beethoven-Ode to Joy
Whitney Huston-Star Spangled Banner
Riddle Song
Scott Joplin- Easy Winners
Beethoven's 5th
Richard Wagner- Flight of the Valkyries
Star War's Theme
Imperial March/Darth Vader's Theme
Friday, April 13, 2012
Sleepyhead | w. 2 p. 2
Passion Pit- Sleepyhead
The some what shrill strings open up the song and soon it seems that the beat picks up in a duple or couple be a quadruple. What makes me think that is more a duple is because then it seems to pick up into a triplet at some points the the song. Other than that tempo is moderate and steady throughout the song. There's also a rubato with the singing as the singer pushes and pulls the notes into highs and lows.
The some what shrill strings open up the song and soon it seems that the beat picks up in a duple or couple be a quadruple. What makes me think that is more a duple is because then it seems to pick up into a triplet at some points the the song. Other than that tempo is moderate and steady throughout the song. There's also a rubato with the singing as the singer pushes and pulls the notes into highs and lows.
Subscribe to:
Posts (Atom)